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Monica Bonvicini, These Days Only a Few Men Know What Work Really Means, 1999
Installation view Kunsthalle Fridericianum. Courtesy: the artist and Galerie Max Hetzler, Berlin. Photo: Nils Klinger
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Monica Bonvicini, These Days Only a Few Men Know What Work Really Means, 1999
Installation view Kunsthalle Fridericianum. Courtesy: the artist and Galerie Max Hetzler, Berlin. Photo: Nils Klinger