
Monica Bonvicini, These Days Only a Few Men Know What Work Really Means, 1999
Installation view Kunsthalle Fridericianum. Courtesy: the artist and Galerie Max Hetzler, Berlin. Photo: Nils Klinger

Monica Bonvicini, These Days Only a Few Men Know What Work Really Means, 1999
Installation view Kunsthalle Fridericianum. Courtesy: the artist and Galerie Max Hetzler, Berlin. Photo: Nils Klinger